BERTONE PANDION FOR THE 2010 GENEVA MOTOR SHOW.

Alfa Romeo, Automotive Design, BMW, Bertone, Car Design, Car Styling, Cars, Designers, Flamboyant Cars, Italian Cars, Italian Coachbuilders, Maserati, Motor Shows, Show cars, Supercars, Tuned for the road 2 Comments »

Bertone has announced that the dream car they have designed over the Maserati chassis shared by the Alfa Romeo 8C Competizione will be named Pandion. The choice is consequent with Bertone’s tradition of naming their spectacular show car with animal names, such as the Alfa Romeo Testudo, Canguro, Carabo and Delfino. Read the rest of this entry »

FIAT CALL ON ITALIAN COACHBUILDERS TO GIVE ALFA ROMEO A LAST CHANCE.

Alfa Romeo, Automotive Design, Bertone, Car Design, Designers, Fiat, Italian Cars, Italian Coachbuilders, Maserati, Motor Shows, Pininfarina No Comments »

The two-seater spider/roadster by Pininfarina

In addition to the all-new Alfa Romeo Giulietta, designed in house, there will be at least two more Alfa Romeo dream-cars to look and scrutinize at the Geneva Motor Show opening early this March. Read the rest of this entry »

ALSO A NEW 3-METRES PROTON FROM GIUGIARO IN GENEVA?

Automotive Design, Car Design, Car Styling, Concept cars, Crossover, Electric Cars, Hybrid Cars, Hybrids, Italdesign Giugiaro, Italian Cars, Italian Coachbuilders, Lotus, Motor Shows, Show cars 1 Comment »

More news have come form Italdesign-Giugiaro on their presence at the Geneva Motor Show, with some detail concerning the powertrain developed with Proton and their own Lotus Engineering think thank in the U.K. Read the rest of this entry »

Italdesign-Giugiaro to surprise at the Geneva Motor Show.

Automotive Design, Car Design, Car Styling, Concept cars, Designers, Hybrid Cars, Hybrids, Italdesign Giugiaro, Italian Coachbuilders, Motor Shows, Proton, Show cars No Comments »

For many design enthusiasts the Geneva Motor Show has a major surprise in store. The top Italian design house Italdesign-Giugiaro will not present a somewhat spectacular Alfa Romeo dream-car as widely reported but a very rational and somewhat conventional “compact” car developed in association with the Malaysia manufacturer Proton (Perusahaan OTOmobil Nasional).

If its design is far from setting new trends, its package and architecture will certainly attract every design, engineer and market wiz visiting the show. Giugiaro, (who previewed the Minivan concept with its project for the New York Taxi in 1976 and the 1978 Lancia Megagmma and whose 1983 Fiat Uno revolutionised the “B” segment, made obsolete all its rivals overnight and set a new definition of the market segment) is now challenging the idea of market segmentation with a design that “goes beyond the traditional segmentation in the car market”, according to the designer himself.

The time is perfectly right for a revolution, as the Italian company calls the family of low emission cars based on a modern hybrid drive system engineered with the aim of optimising on‐board space and car access ergonomics in a all-round five-door, four seater, car that is just 3,550 millimetres long.

Listen to Georgette Giugiaro illustrating his vision of the rational car of the future and you clearly understand this is one of the many fruits blowing from a study of a rear-engined, A segment, small car developed few years ago by Italdesign-Giugiaro and proposed to a number of car manufacturers around the world. The same project that in more than a way relates to the early concept and design of the VW UP.

It is not clear yet whether the Geneva 2010 Proton Concept comes with its small engine at the front or rather (as I expert at the rear) but you can be sure that the interior roominess is outstanding in relation to the overall length of the car.

“This is the outcome of several years of study: the solution allows interior spaciousness on a par with that of a segment D saloon despite maintaining the exterior dimensions of a segment A car” explained Giorgetto Giugiaro, Chairman of Italdesign Giugiaro.

“You could say that it is a brand new type of car, a new automotive concept where looks are as important as function, ergonomics and comfort, not to mention environmental impact. It is higher than other compact cars to make the best use of interior space; the front seat H point is at the same height as the passengers’ hips: you do not get down into your car as in a coupé, you do not climb up as in an SUV but you enter in a natural way. Rear seat comfort when you enter and leave the car is absolutely unprecedented, the distance from the front seat is comparable to that of an SUV” added Giugiaro.

The platform, specially designed by Italdesign Giugiaro for this car family, includes a raised floorpan that    is able to accommodate the hybrid system’s batteries at the rear. The four seats are identical, independent and sliding, ensuring identical comfort to passengers and driver alike.

According to Italdesign-Giugiaro, this is just the first configuration of the family of compact car created by the Italian design company for Proton.

BMW ADD M SPORT PACKAGE TO HIGH PERFORMANCE Z4 FOR DETROIT MOTOR SHOW.

Automotive Design, Cabriolet, Car Styling, German Cars, Motor Shows, Tuned for the road, Various No Comments »

In addition to a new show car, BMW will be presenting an upgraded version of its Z4 roadster/convertible. This is the Z4 s35i which comes with a new M Sport look as standard. The powerful two-seater is powered by the 3.0 litre twin-turbo six-cylinder in line engine credited of 240kw (340) HP that is matched by the 7 speed automatic transmission. Its acceleration allows the top-of-the-range Z4 to go from standing to 100 kph in only 4.8 seconds.

To visualize this potential, BMW is delivering the new model with standard M Sport package, that will be available for other versions as an option. The M Sport upgrades emphasize the Z4’s athletic character through aerodynamically optimized exterior features and customized interior components. Special 18-inch light-alloy wheels in five-spoke design round off the sporty character of the Z4 sDrive35is, In addition, 19-inch light-alloy wheels are available as an option.

The upgrades also includes the M Aerodynamics and adaptive M Suspension. The adaptive M Suspension combines a ride-height reduction of 10 millimeters (almost 0.4”) with electronically controlled shock absorbers (Dynamic Damping Control) to improve the vehicle’s agility without compromising ride comfort.

The new model is further distinguished by a striking front bumper with a matte aluminum trim bar in each outer air intake, a rear bumper with accentuated surrounds on the tailpipes, and a rear diffuser finished at top in body color and black textured surface underneath.

MINI ROADSTER DESIGN EXPLAINS COUPE’ LOOK.

Automotive Design, Cabriolet, Car Design, Car Styling, Concept cars, Designers, Mini, Motor Shows, Roadsters, Sports Cars No Comments »

With most new concept cars actually relying on hybrid technology or Electric drive only, there were three traditional concepts cars. The first was a dream car, the Mazda MX-5 (Miata) Super Light. The other two came both from Mini: the Mini Coupé and Roadster, both previewing the spirited design that will set the next Mini “Twin” models apart. Read the rest of this entry »

ALL ABOUT AUDI EXHIBIT AT THE IAA IN FRANKFURT.

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Ever wondered what is all about a major exhibition area at an international motor show?

If you have, here is all you may want to know about AUDI’s 6,000 square metres display designed to present 34 Audi of all sorts and to celebrate the 100th anniversary of the company.

The Audi stand at the IAA will be “Bright White and with a Big Heart” says the company which is announcing five world premieres, including what it describes as insights into electric mobility of tomorrow.

Audi S5 Sportback debuts in Frankfurt

To build it they will use 230 metric tons of steel, 560 square meters of glass, 67 kilometers of electric cable. Some 300 fitters will work 25 days to assemble the “installation” (a work of art) downloaded from 90 trucks

The result of their work will be a gleaming white stand - 6,000 square meters in size (4,000 at ground level and 2,000 one storey up) - with a dazzling design to showcase 34 perfectly situated Audi vehicles. The Audi stand spans 86 meters in length and 46 meters in width. At the center of the stand there is a huge heart show-casing key Audi innovations such as TDI technology, lightweight design/construction, and Audi history. A chrome-polished R8 will get visitors’ hearts pumping even faster.

Through the press and public day it will be the work place for 55 Audi employees as well as 85 event hostesses/hosts trained and prepared to provide details to all interested visitors.

This puts each and every one of the 34 exhibition vehicles in the best possible light. Audi’s trade-show specialists begin planning the configuration of spotlights months in advance and down to the millimeter so that no unwelcome reflections arise and that every perfectly positioned Audi’s colors and contours are perfectly accentuated.

The same applies to the stand’s steel structures, which weigh many tons and are precisely positioned by surveyors who use laser measurements. Everything must be 100 percent perfect. This is due to reasons of not only time but also safety: some 750,000 people are expected to visit the 2009 IAA! Stands must therefore be indisputably sound in design and execution.

Audi says it had managed to execute a trade-show strategy which costs far less than that of its strategic competitors. A considerable amount of the materials Audi uses at a trade show, for example, will not simply be discarded, but rather re-used at future automotive exhibitions. It could be said that Audi relies on a modular trade-show framework - an assembly concept of sorts.

Audi’s IAA Stand: Specs and Facts

6,000 square meters of overall floor space

4,000 m2 on ground floor; 900 m2 of elevated surfaces/ceilings

2,000 m2 upper floor

34 exhibition vehicles (5 of them world premieres)

2 vehicle lounges (quattro Lounge: 162 m², A5 Sportback Lounge: 85 m²)

3 catered lounges (309 m² altogether) with 150 seats

12 months of planning; 55,000 hours of planning

90 truck loads

300 people on set-up team

24/7 set-up

25 days of setting-up

560 m2 glass façade

230 metric tons of steel

67 km of cables

39 metric tons suspended from the Hall’s ceiling

8.45 meters: height of the lighting truss’s lower edge

3 km of truss crossbeams

1,400 spotlights

2,000 KW power output

Highlight LED: 14 meters wide and up to 4.70 m high

Highlight LED with 2,101,248 Surface-Mount Devices (pixels)

Heart of Audi: 40 meters long and up to 10 m wide

Heart of Audi with approx. 1,500 LED panels (á 16×16 LED points)

19 different exhibits, incl. 2 cutaway engines

Various floor coverings: laminate, genuine wood veneer, aluminum, anodized-aluminum panels, concrete scrap, glass, carpet

95 meters of leather-covered seating in Heart of Audi; 7 staircases

25 offices and conference rooms

16 climate-control units

85 event hostesses/hosts

55 Audi employees.

FORD 2009 C-MAX AT THE IAA IN FRANKFURT.

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Here the first official images of the all-new Ford C-MAX, whi

ch will make its global debut at the 2009 Frankfurt Motor Show next week.

The new Ford C-MAX takes its design cues from the stunning iosis MAX concept car unveiled at the Geneva Motor Show early last March and represents Ford of Europe entry in the compact MPV market. In Frankfurt Ford is expected to announce that the C-MAX will also be sold in the North American market.

The all new MPV comes with a clear personality and a coupé-like silhouette and sweeping roofline with no apparent compromise on the use of space.

According to Ford the C-MAX will introduce a host of new technologies such as an all-new 1.6 litre direct injection petrol engine, a semi-automatic parallel parking and a blind-spot detection system.

Ford says it will start selling the new C-MAX in the second half of 2010 as the first in a new generation of global vehicles developed from Ford’s new C-segment platform, scheduled for introduction over the next several years. The global range will also include the all-new Ford Focus due in late 2010.

ROLLS-ROYCE 2009 GHOST. SUPERLATIVE SIMPLICITY.

Automotive Design, British Cars, Car Design, Car Styling, Flamboyant Cars, Motor Shows, Rolls-Royce, Various No Comments »

Absolutely on time, as expected within the world of aristocracy, here comes the Rolls-Royce “princess”. It was fist announced, early this year by the “200EX” traditional  number-and-suffix lettering at the Geneva Motor Show. Now it is ready to make its official appearance with the name of “Ghost”. The name has a long tradition and deep meaning at Rolls-Royce; however, the 2009 Ghost is really something you want to see. When you have this chance, her most striking character impress you from the very beginning: how simple, beautiful and elegant it is, despite its unusual length. Indeed, Ian Cameron, Chief Designer of Rolls-Royce, stresses that “Simplicity is the hardest design principle to follow.” in presenting the latest delivery of his team of very talented designers.

Ghost’s flowing lines are dominated by its majestic ‘Yacht Line’ styling. Large, uninterrupted surfaces flow between finely sculpted horizontal lines that provide definition. Together, the upward-sweeping sill line and low-cut roof create a powerful profile, almost as though the cabin has been pushed toward the rear. Powerful shoulders and flanks draw in sharply as they flow from the rear wings to the tail lights, while touches such as the optional chromed exhausts hint at Ghost’s more dynamic nature.

While incorporating classic Rolls-Royce design cues - the elevated prow, long bonnet, short front overhang, sharply raked A-pillar and elegant tail - Ghost exudes an informal aura. Contemporary touches include self-righting wheel centres and the Xenon headlamps that frame the latest evolution of the Rolls-Royce grille. Here the sides of the intake have been curved inwards and the vanes set back into the opening. “We wanted this to be less reminiscent of the traditional Parthenon style and more like a jet intake,” says Ian Cameron.

A contrasting Silver Satin finish (introduced on 200EX) is an option for the bonnet, grille and windscreen surround. The finish is achieved by setting silver metallic paint under a layer of lacquer, giving a flawless matte finish. The bonnet and windscreen surround are then honed from aluminum.

The central principle of delivering simplicity out of complexity runs throughout Ghost. Everything is designed, engineered and crafted to enhance the drive and ride experience, not to complicate it.

Ghost rides on a bed of air. Double-wishbone front suspension and multi-link rear suspension work with an intelligent, four-cornered, air-suspension system and electronic variable damping to deliver the refinement that has been associated with Rolls-Royce for more than 100 years.

The new air suspension system in Ghost is so sensitive that it can detect even the smallest of changes. For example, it will sense the movement of a single rear passenger from one side of the seat to the other and compensate accordingly. A complex computer system reads multiple inputs from sensors around the car; the dampers alone make individual load calculations every 2.5 milliseconds. This ensures not only perfect comfort but also precise steering and dynamics for the driver. The air suspension system also incorporates a lift and kneel function, raising or lowering Ghost by 25mm.

Inside Ghost.

The interior design team has come up with a contemporary ambience while staying true to Rolls-Royce Motor Cars’ traditions of fine materials and peerless comfort. There are elegant, frosted lamps and chrome door handles, traditional violin key switches and eyeball air vents, frosted white dials and refined instrumentation. Deep-pile carpets can be complemented by optional lambs wool floor mats for a truly luxurious feel.

Charles Coldham, Interior Designer stresses that “Ghost is as refined and cosseting as anything this company has ever produced.”

While Ghost is 400mm shorter overall than the Phantom saloon its interior space is comparable.

Driver and passengers, enter into Ghost through substantial doors. Housed within the front doors are integrated Teflon-coated umbrellas. The rear doors are traditional, rear-hinged coach doors, opening to a generous 83 degrees. Once the passenger is inside, these doors can be closed at the touch of a button. The interior space is filled with natural light, enhanced by the optional Panorama.

Within Ghost’s ample doors and high shoulder line, occupants feel serene, cosseted and safe.

In the rear, the intimate ambience of the lounge seat is emphasized by its position behind the C-pillar, heightening the sense of privacy. The informal seating creates a convivial environment, its slight curve allowing you to turn more easily towards the person next to you. Its elevated position gives a clear view past the electronically retracting Spirit of Ecstasy to the road ahead.

Individual lounge seating is offered as an alternative to the standard lounge configuration. This allows the addition of a massage function and also perforated leather for a cooling stream of air from the seat surface. A cool box with interior illumination and integrated champagne glasses is also available.

Veneered picnic tables are another option, incorporating the finest leather and veneers matched to the rest of Ghost’s interior. Fitted to the rear of each front seat, these tables are a traditional Rolls-Royce design cue and finished with a veneered surface with leather-covered backs.

A modern Rolls-Royce.

Ghost is the most powerful car that Rolls-Royce Motor Cars has ever produced. However, Rolls-Royce power is delivered in a very different manner to other cars. It arrives in an elegant, cosseting way that some have described as being designed to lower the pulse, not raise it.

The principle of simplicity extends to the act of driving Ghost. The host of complex engineering software and technologies beneath the surface serve to make driving easier and more enjoyable, not to intrude or confuse.

Ghost is powered by a brand new, 6.6 litre twin-turbo V12 engine, unique to the model. Featuring direct injection, it produces 563bhp - enough to propel Ghost from 0-60 mph in just 4.7 seconds* and on to an electronically governed top speed of 155mph. With 780 Nm of torque available at just 1,500rpm, delivery of power is immediate and extremely smooth.

“A Rolls-Royce should be graceful in every way: the way it handles, feels and brakes.”
says Helmut Riedl, Engineering Director.

RUSH TO FRANKFURT TO SEE THE BMW VISION CONCEPT CAR.

Aerodynamics, Automotive Design, BMW, Car Design, Car Styling, Cars, Concept cars, Designers, German Cars, Hybrid Cars, Italian Cars, Motor Shows, Show cars No Comments »

SOMETHING TO RUSH TO FRANKFURT FOR.

Shortly after I posted my early preview of the upcoming IAA in Frankfurt, the news of the spectacular and very promising VISION EFFICIENT DYNAMIC concept by BMW came in.

The news radically changed my perspective because everybody will now be willing to look deeply into the BMW show-car (an exciting catalogue of trend setting design ideas) and what is underneath. It clearly is a major development of the BMW M1 Hommage unveiled last year at the Villa D’Este Concorso d’Eleganza.

BMW is not being conservative in stating the potential of their ActiveHybrid technology and what sort of performance (in absolute terms, including use of energy) they are looking at for the near future. Read the rest of this entry »

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