SHANGHAI AUTO SHOW PREVIEW

Audi, Auto Shanghai, Automotive Design, BMW, British Cars, Car Design, Concept cars, Crossover, German Cars, Hybrid Cars, Hybrids, Interiors, Mercedes-Benz, Motor Shows, Peugeot, Porsche, Rolls-Royce, Show cars, Volkswagen 5 Comments »

By Giancarlo Perini ©

AUDI 2011 Q3

The 2011 Auto Shanghai motor show, opening in a week time, will not be business as usual. Indeed it will mark a new era of the entire world car industry, the one steered by the Chinese market and industry. China is the biggest car market, and the one that is growing faster worldwide. The leading premium brands are betting on for most of their growth in the decade. Read the rest of this entry »

ROLLS-ROYCE LUXURY FOR THE VERY BRITISH MINI GOODWOOD.

Auto Shanghai, Automotive Design, British Cars, Car Design, Interiors, Mini, Motor Shows, Rolls-Royce, Show cars 3 Comments »

By Giancarlo Perini ©

MINI 2011 Inspired by Goodwood

Can you concentrate all the luxury of a most aristocratic Rolls-Royce into a compact Mini?

Probably not. Yet you can go a very long way with the help of the Rolls-Royce design team led by Ian Camerun. Just look at the very plush and British interior of the Mini Inspired by Goodwood to be unveiled for the first time at Auto Shanghai next week and you may agree that a compact city car can be very seriously luxurious, filled with the finest material, soft leather and quite a bit of traditional walnut veneer. Read the rest of this entry »

MINI NEW-HYBRID 2011 ROCKETMAN CONCEPT FOR GENEVA

Automotive Design, BMW, British Cars, Car Design, Car Styling, Concept cars, Geneva Motor Show, Mini, Motor Shows, coupé No Comments »

By Giancarlo Perini ©

MINI 2011 Rocketman Concept

MINI is far from being tired of launching newer and sexier ideas in spectacular show-cars. In Geneva they will we unveiling their shortest and possibly lightest (for the millenium) Mini so far. It will be also the fastest from zero to 100 thanks to its hybrid technology since, according to a company statement “it is designed to allow the integration of a drive system which combines further enhanced sprinting ability with average fuel consumption of just three liters per 100 kilometers (94 mpg imp).” Read the rest of this entry »

TWO TURBINES EXTEND THE RANGE OF THE JAGUAR EX-75.

Aerodynamics, Automotive Design, British Cars, Concept cars, Designers, Electric Cars, Experimental Vehicles, Hybrid Cars, Hybrids, Jaguar, Motor Shows, Supercars, Turbine cars 2 Comments »

Jaguar EX 75  concept @ Paris 2010

By Giancarlo Perini ©

There is more than just a beautiful body to make the Jaguar EX-75 concept car the “Star of the Show”. It comes with four 143 kW electric motors (one for each wheel) pumping out a total of 572 kW, which take the energy from a energy-intense pack of lithium-ion batteries to be recharged from a standard 220v outlet. Read the rest of this entry »

MY 2010 PARIS MOTOR SHOW

Alfa Romeo, BMW, Bentley, British Cars, Citroen, Electric Cars, French Cars, Hybrid Cars, Hybrids, Hyundai, Italian Cars, Lamborghini, Lotus, Mercedes-Benz, Mini, Motor Shows, Nissan, Peugeot, Renault, Show cars, Sports Cars, Supercars, Toyota, Volkswagen 1 Comment »

by Giancarlo Perini (c)

AUDI quattro concept @ Paris 2010

You can look back at the Paris Motor Show, the latest top-ranking of the season from many different perspectives: business as usual or new perspective, sexy style or strict functionality, economic status or talks between car-makers to discuss new alliance and even a show within the show. Indeed this is what tiny British carmaker Lotus has done in Paris. By presenting as many as 5 new concept-cars and mock-ups (Elise, Elan and Esprit, Elite and Eterne) the company has attracted a lot of attention from the media and caused a series of serious of questions now waiting for an answer.

Read the rest of this entry »

ROLLS-ROYCE 2009 GHOST. SUPERLATIVE SIMPLICITY.

Automotive Design, British Cars, Car Design, Car Styling, Flamboyant Cars, Motor Shows, Rolls-Royce, Various 1 Comment »

Absolutely on time, as expected within the world of aristocracy, here comes the Rolls-Royce “princess”. It was fist announced, early this year by the “200EX” traditional  number-and-suffix lettering at the Geneva Motor Show. Now it is ready to make its official appearance with the name of “Ghost”. The name has a long tradition and deep meaning at Rolls-Royce; however, the 2009 Ghost is really something you want to see. When you have this chance, her most striking character impress you from the very beginning: how simple, beautiful and elegant it is, despite its unusual length. Indeed, Ian Cameron, Chief Designer of Rolls-Royce, stresses that “Simplicity is the hardest design principle to follow.” in presenting the latest delivery of his team of very talented designers.

Ghost’s flowing lines are dominated by its majestic ‘Yacht Line’ styling. Large, uninterrupted surfaces flow between finely sculpted horizontal lines that provide definition. Together, the upward-sweeping sill line and low-cut roof create a powerful profile, almost as though the cabin has been pushed toward the rear. Powerful shoulders and flanks draw in sharply as they flow from the rear wings to the tail lights, while touches such as the optional chromed exhausts hint at Ghost’s more dynamic nature.

While incorporating classic Rolls-Royce design cues – the elevated prow, long bonnet, short front overhang, sharply raked A-pillar and elegant tail – Ghost exudes an informal aura. Contemporary touches include self-righting wheel centres and the Xenon headlamps that frame the latest evolution of the Rolls-Royce grille. Here the sides of the intake have been curved inwards and the vanes set back into the opening. “We wanted this to be less reminiscent of the traditional Parthenon style and more like a jet intake,” says Ian Cameron.

A contrasting Silver Satin finish (introduced on 200EX) is an option for the bonnet, grille and windscreen surround. The finish is achieved by setting silver metallic paint under a layer of lacquer, giving a flawless matte finish. The bonnet and windscreen surround are then honed from aluminum.

The central principle of delivering simplicity out of complexity runs throughout Ghost. Everything is designed, engineered and crafted to enhance the drive and ride experience, not to complicate it.

Ghost rides on a bed of air. Double-wishbone front suspension and multi-link rear suspension work with an intelligent, four-cornered, air-suspension system and electronic variable damping to deliver the refinement that has been associated with Rolls-Royce for more than 100 years.

The new air suspension system in Ghost is so sensitive that it can detect even the smallest of changes. For example, it will sense the movement of a single rear passenger from one side of the seat to the other and compensate accordingly. A complex computer system reads multiple inputs from sensors around the car; the dampers alone make individual load calculations every 2.5 milliseconds. This ensures not only perfect comfort but also precise steering and dynamics for the driver. The air suspension system also incorporates a lift and kneel function, raising or lowering Ghost by 25mm.

Inside Ghost.

The interior design team has come up with a contemporary ambience while staying true to Rolls-Royce Motor Cars’ traditions of fine materials and peerless comfort. There are elegant, frosted lamps and chrome door handles, traditional violin key switches and eyeball air vents, frosted white dials and refined instrumentation. Deep-pile carpets can be complemented by optional lambs wool floor mats for a truly luxurious feel.

Charles Coldham, Interior Designer stresses that “Ghost is as refined and cosseting as anything this company has ever produced.”

While Ghost is 400mm shorter overall than the Phantom saloon its interior space is comparable.

Driver and passengers, enter into Ghost through substantial doors. Housed within the front doors are integrated Teflon-coated umbrellas. The rear doors are traditional, rear-hinged coach doors, opening to a generous 83 degrees. Once the passenger is inside, these doors can be closed at the touch of a button. The interior space is filled with natural light, enhanced by the optional Panorama.

Within Ghost’s ample doors and high shoulder line, occupants feel serene, cosseted and safe.

In the rear, the intimate ambience of the lounge seat is emphasized by its position behind the C-pillar, heightening the sense of privacy. The informal seating creates a convivial environment, its slight curve allowing you to turn more easily towards the person next to you. Its elevated position gives a clear view past the electronically retracting Spirit of Ecstasy to the road ahead.

Individual lounge seating is offered as an alternative to the standard lounge configuration. This allows the addition of a massage function and also perforated leather for a cooling stream of air from the seat surface. A cool box with interior illumination and integrated champagne glasses is also available.

Veneered picnic tables are another option, incorporating the finest leather and veneers matched to the rest of Ghost’s interior. Fitted to the rear of each front seat, these tables are a traditional Rolls-Royce design cue and finished with a veneered surface with leather-covered backs.

A modern Rolls-Royce.

Ghost is the most powerful car that Rolls-Royce Motor Cars has ever produced. However, Rolls-Royce power is delivered in a very different manner to other cars. It arrives in an elegant, cosseting way that some have described as being designed to lower the pulse, not raise it.

The principle of simplicity extends to the act of driving Ghost. The host of complex engineering software and technologies beneath the surface serve to make driving easier and more enjoyable, not to intrude or confuse.

Ghost is powered by a brand new, 6.6 litre twin-turbo V12 engine, unique to the model. Featuring direct injection, it produces 563bhp – enough to propel Ghost from 0-60 mph in just 4.7 seconds* and on to an electronically governed top speed of 155mph. With 780 Nm of torque available at just 1,500rpm, delivery of power is immediate and extremely smooth.

“A Rolls-Royce should be graceful in every way: the way it handles, feels and brakes.”
says Helmut Riedl, Engineering Director.

BMW SHOW MOST MODERN WIND TUNNELS.

Aerodynamics, Automotive Design, BMW, British Cars, German Cars 7 Comments »

€170 million invested into facilities aiming at top Aerodynamic Efficiency.

North American parts suppliers consider BMW AG the best automaker for adopting innovations into vehicles, according to an Automotive News study compiled with J.D. Power and Associates. Read the rest of this entry »

EVERYTHING (ALMOST) YOU WANT TO SEE OF THE 2009 CONCORSO D’ELEGANZA DI VILLA D’ESTE.

Alfa Romeo, Aston Martin, Automotive Design, BMW, Bentley, Bertone, British Cars, Bugatti, Cabriolet, Car Design, Car Styling, Concept cars, Concourse D'Elegance, Corvette, Designers, Electric Cars, Ferrari, Fiat, Frua, Fuoriserie, Italian Cars, Italian Coachbuilders, Lamborghini, Lancia, Maserati, Mercedes-Benz, Mindset, Perana Performance, Pininfarina, Porsche, RACING CARS, Rinspeed, Rolls-Royce, Sports Cars, Stile Bertone, Touring, Tuned for the road, Villa d'Este, Zagato 2 Comments »

The Concorso d’Eleganza di Villa d’Este this years has been as good as the weather. That is to say that half of it was very good, with peaks of excellence, and the remaining half was bad, raining and boring, with touches of ugliness.

 

 

 By the end of the elegant week-end on the Lake of Como, one would say it was not one the best edition ever but still offered enough interesting cars to look at, people to greet and talk to, and subjects to discuss.

 

 

 

As such it was one not to be missed. Those who did not attend it missed the extremely rare chance of hearing the sibilo and smelling the pollution of its turbine engine, not to mention seeing this extraordinary visualisation of the dreams about the cars of the future they were dreaming in the fifties and sixties.

BERTONE SPICUP - BMW 2800, 1969

  Read the rest of this entry »

LAGONDA BY ASTON MARTIN.

Aston Martin, Automotive Design, BMW, British Cars, Car Design, Car Styling, Concept cars, Crossover, Flamboyant Cars, Motor Shows, Porsche No Comments »

There is no doubt that the most provocative, outrageous and controversial “concept” car presented at this year Geneva Motor Show is the Lagonda. It was on display only on the second and final press day at Aston Martin. Day one was focuses on the showing of the full scale mock-up and the 200,000 English pounds carbon fibre rolling chassis of the One-77. Read the rest of this entry »

EVERYTHING (ALMOST) YOU WANT TO SEE OF THE FORD IOSIS MAX.

Automotive Design, British Cars, Car Design, Car Styling, Concept cars, Designers, FORD, Show cars No Comments »

Ford proved to be one of the most sentitive carmakers among those presenting a new concept car in Geneva. Its attractive Iosis Max is indeed a “scaled down” SUV that you could well quilify as a small-to-medium alternative to medium-to-large or large vehicles actually in the market. For its dimensions it fits between the “compact” Fiesta and the “middle-class” Focus. According to well placed sources its front design does anticipate more than a trait of the next generation (2010) Focus.

 

Ford says that its “second generation kinetic design” concept is powered by a 180hp, 1.6-liter turbocharged gasoline direct-injection four cylinder engine of the new EcoBoost family, with stop-start technology that can save up to 20% fuel in comparison with previous generation of equivalent performance.

 

For the complete photo gallery click on the image below:

FORD 2009 IOSIS MAX

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